An art exhibition held in Seoul, grounded in a manifesto that reimagines inclusion as a fluid, relational, and lived experience rather than a fixed norm; The exhibition offers a sensorial exploration of posthuman ethics and the dismantling of normative boundaries through language, form, and material. Its design language shows the fluid elements of nature and the flexibility of Korean type (Hangul).

The poster and visitor handouts articulate this logic through open compositions and shifting sequences to echo the manifesto’s call for relationality.